Showing posts with label portrait. Show all posts
Showing posts with label portrait. Show all posts

Friday, 20 June 2014

STYLE & STORIES PORTRAIT PORTFOLIO: Elize


BY ERIKA

Thanks to good old Facebook, I reconnected with my school friend Elize again after about 35 years. At first it we only kuier-ed in virtual reality but in 2012 Elize moved from Limpopo to Stellenbosch and we just carried on where we left off years ago.

It has been a wonderful experience getting to know Elize as an adult while at the same time enjoying the familiarity of a friendship that started in Grade 1 in 1968!!!

At the beginning of this year Elize who has been practising yoga since 1988, established the AnahatYoga & Wellness Studio in Die Boord, Stellenbosch with two partners, Candice Jones and Johan Kotze.

The name Anahat, Elize explains, refers to the Sanskrit name for the heart chakra, anahata which means “unstruck” or “unhurt. It implies that underneath our human existence lies a wholeness that is eternal and boundless.

“We chose Anahat for the name of our studio because it beautifully brings the energy of “the Heart of Yoga” to our studio and we wanted our studio to resonate with the love of the path of yoga, shared from the heart, with the people of Stellenbosch.”


It is in the lounge of this beautiful and tranquil space that Martin chose to photograph Elize for her STYLE & STORIES PORTRAIT PORTFOLIO.

“The big windows on both the east and the west sides of the lounge as well as neutral wall colour makes it an ideal place to do natural light portraits,” he says.

“It also helped that on the day of the shoot, we experienced a typical Boland winters day with cloud cover and rain for most of the day creating a huge soft box on all sides.”

As we always say at MVNP, in the right light and at the right time, every woman is extraordinary.

MAKE-UP ARTIST: Candice Harker http://www.mobilemakeupartist.co.za/


Martin, Elize and Candice make-up artist cum photographer's assistant
in the lounge of the Anahat Yoga Studio in Stellenbosch 


Candice working her make-up magic with Elize 

Sunday, 1 June 2014

STYLE & STORIES PORTRAIT PORTFOLIO: Madelein


BY ERIKA

Whenever Martin and I talk about which of his modelling portfolio photographs we like best, one of us will mention 'that one of Madelein in the blue dress'.

Four years, one engineering degree and one wedding later, we were fortunate to have this graceful and beautiful woman back in the MVNP studio. 

And the results did not disappoint! See for yourself.

Madelein Dreyer definitely puts a different face to the stereotype of an engineer. She is currently doing a Masters in Biomedical Engineering at the University of Cape Town investigating new control systems for myoelectrical protheses. 

Quite a mouthful but we are sure, it is nothing she can't master! 

MAKE-UP ARTIST: Candice Harker http://www.mobilemakeupartist.co.za/







Wednesday, 20 November 2013

BIZ PORTRAIT PARTY - Professional portrait shoot with a difference

By Martin Van Niekerk


We recently participated in a really enjoyable project. In fact it didn't feel like work at all!

The Biz Portrait Party was organised by in-bound marketing expert Bettina Horvath of My Biz Performs at The Workshop Space in Main Road, Somerset West to encourage business and professional people to invest in good quality and appropriate professional portraits for social media. 

While professional make-up artist, Candice Harker, was plying her trade and I was photographing the nine dynamic and beautiful business women one at a time, Bettina lead an informal discussion and question-and-answer session on the role of images in social media.

All the while we were treated to good coffee and eats. A party indeed!

What our clients said:
Bettina Horvath in Google+: 
Last week I organised the Biz Portrait Party with +Martin van Niekerk photography - the results are outstanding! It is so worthwhile to have a professional photoshoot done for online images, wouldn't you agree when you see these pics? 


 The end result: Nine professional portraits 

 The Biz Portrait Party in full swing

Wednesday, 6 November 2013

SO, WHICH WAY WOULD YOU LIKE ME TO FACE? 5 facts about a portrait sitting your (conscious) mind was unaware of


‘So which way would you like me to face?’

A question every photographer about to shoot a professional portrait, is asked as soon as the model arrives in the studio.

The problem is that there is no simple answer to this seemingly simple question. Should the photographer:
  • Position the client according to the lighting configuration he or she has set up to achieve a particular outcome or because the location demands it?
  • Accommodate the client’s preference for a particular side? People often feel they have a good side that looks better on a photo.
  • Take into account facial features that might make the image less aesthetically pleasing e.g. turning the model’s head so that a larger eye is further away from the camera?
  • Listen to what neuro-anatomists and cognitive psychologists tell us about portraits?

What your subconscious knew but did not tell your conscious mind 

Here are 5 interesting facts about portraits that you probably don’t know. At least not your conscious mind but if you had to dig up some old photographs, you see that your subconscious had known a thing or two all along.

1. Most of the time we choose to be photographed with the left side of our face, facing the camera. Why? Not because of any cosmetic or physical attributes that we favour but because the left side of our faces show more emotion than the right and we are hard-wired to experience intense emotional responses more aesthetically pleasing. According to a study published in Experimental Brain Research the left side of the face shows more muscle movement in response to emotions. That is because the right cerebral hemisphere tends to be more involved in the perception and production of emotion than the left.1) And more emotion makes for better portraits, the theory goes.


2. The left-side bias has been known to naturalists and artists for a very long time. The theory of that which we seem to instinctively know about portraits, has been the topic of neuro-anatomy and art theory for hundreds of years. It was Darwin who first observed that the two sides of the face do not move and express emotion in the same way. His observations have since been confirmed by experimental and physiological studies. 2) For example in their study Turning the left cheek, researchers McManus and Humphrey indicate that 60 % of portraits painted since the 16th century show the left side of the sitter’s face. 3) We seem to prefer seeing and rendering a person’s more emotional side in a painted portrait. And the same goes for photographs.


3. But not always! We seem to have a different face bias for self-portraits depending on whether we are artists or non-artists. According to Bruno and Bartomini’s surveys of art books and exhibitions, show the majority of artists featuring the right side when composing a self-portrait, a phenomenon that is considered an art convention. Historically, painting or drawing a self-portrait required working of your own image reflected in a mirror. This method reverses the image you work from hence the right side bias. Nowadays artists most probably work from photographs which in the long is bound run to change the self-portrait posing conventions taught at art school. 4) This is what neuropsychologists Nicola Bruno and Marco Bertamini found when they observed people using smart phones to take ‘selfies’. Non-artists prefer the left side more often than the right even if you have to contort your body to get the shot. 5)


 4. Portrait type, social position and career choice also influence our choice of left or right facing portraits. When we are posing for a more informal family portrait when go for the more emotionally expressive left side. 2) But there are times when the sitter prefers to not show their softer, sensitive sides. It might be for reasons of status, for professional reasons or as a result of convention. Several studies have shown that natural scientists, chemists and engineers tend to show their less emotional right side ‘more in keeping with the stereotyped pose of a professional rationalist’. 3) Academics in the human sciences e.g. language and psychology departments tend to show the left side of the face probably feeling more comfortable showing their most emotional aspect to the world, unlike the engineers who want to ‘appear more rational and suggests that these hard scientists seek to display themselves to the world as the unemotional clichés of popular myth’. 3)


5. Sex may also help determine the cheek of choice - Male academics in the Churches tend to prefer showing the right cheek while female academics tend to show the left cheek more often. It is possible that the observed biases were the result of ingrained cultural and stereotypical gender roles depicting women as more emotional than men 2)
References:

Monday, 18 March 2013

PORTRAIT OF A PRINT MAKER


Artist Leonora Van Staden of Stellenbosch

I recently did a portrait shoot for award-winning Stellenbosch print artist, illustrator, lecturer and recently furniture designer, Leonora Van Staden in a beautiful historical building in the town centre. This is one of the images.

Thursday, 8 November 2012

INTERWEAVE - Salon Elan, Somerset West


Lattices and loops created by Rene Erwee of Salon Elan in Somerset West

Photography & Retouching: Martin Van Niekerk
Model: Chante
Hair Styling: Rene Erwee, Salon Elan, Somerset West
MUA: Candice Harker
MVNP Studio, Strand, Somerset West

Tuesday, 11 September 2012

RENE IS READY FOR REDKEN: Coral

Rene Erwee of Salon Elan in Somerset West asked me to photograph hair models for the Redken Ultimate Chromatics Haircolour Contest which she wanted to enter. The competition gives colourists the opportunity to win a trip to the 2013 Redken Symposium in Las Vegas in January. 

This project stretched over three shoots and nearly two months. 

The next three posts tell the story of one very creative hair stylist (Rene), three brave models (Coral, Esri and Charlise), a very talented MUA (Candice Harker) and a photographer who was given license to experiment (lucky me!). 

May there be many more such competitions!

CORAL



Photographer: Martin Van Niekerk
Hair stylist: Rene Erwee, Salon Elan in Somerset West
Model: Coral
MAU: Candice Harker


Coral before and after a total of eight hours in the salon.

Rene continues to style Coral's hair during the shoot in the MVNP Studio

Monday, 27 August 2012

FACING UP TO SOCIAL MEDIA PORTRAITS


Why professional people need to post images on social media profiles


Should I or shouldn't I spend the money to employ a professional photographer for social media profile portraits? In fact, why bother adding an image to my social media profiles at all? 

www.shuftipics.co.za

When asked, most people will tell you that we join social media such as LinkedIn, Facebook and Twitter to network. We want to grow our businesses and extend the reach of our brands.

But what we are really doing is making friends. We want to foster friendships that can help us achieve our business goals. But also chums we can chat to because we like them and we like what they do. Social media makes it possible for us to link up with people we may never have met in places we would never get to in real life. Once we have got to know one another better, sooner or later we might do business together. 

Research has shown that twitter accounts with a profile picture have ten times more followers that those without.

How do we go about connecting with new people and colleagues on social media? 


Well, it seems the same way as we would in real life - we want to look them in they eye. From infancy, human beings are hard-wired to recognise faces.  There are billions of people on earth and many share the same name but each person’s face looks different. Recognising faces is a very complex process combining cognitive and emotional aspects to not only identify a face but also to interpret feelings.

If beauty is in the eye of the beholder, so is credibility and integrity it seems.

The first thing we do when scanning a person’s face whether in the flesh or on a social media page, is to focus attention on the eyes, or to be more accurate in the vicinity of the eyes. What we are really doing is ‘reading’ the other person’s eyebrows. According to some researchers, eyebrows seem to do more than protect the eyes against rain and perspiration. It acts as important visual markers during face recognition, when expressing emotions and social signals and therefore in voluntary and involuntary non-verbal communication. We convey a number of different emotions by merely moving our eyebrows such as confusion, astonishment, anger. Just think how effective eyebrows are used in the different emoticons we use in electronic communication. The eyebrows also add to the aesthetics of faces and help us distinguish between sexes.

Once we have ‘read’ the face, our decision as to whether or not we like and trust that person happens lightning fast. And according to Graham Jones in his blog InternetPsychology we make a decision within 100 milliseconds. So it seems it really is true that we have one and only one, very short, chance to make an impression.

It is therefore vital that we have a full face portrait picture on all our social media profiles but it follows that the kind of image we have on our website or on our social networking profiles will influence whether people wish to connect with us.

What must this portrait picture look like?


What should this photograph that is strong enough to impress a visitor to my website or social profile look like?  

Understanding that our eyes are instantly drawn to someone else’s eyes, it makes sense to rather use a head-and-shoulders portrait rather than a full body shot. In fact researchers from the Hebrew University of Jerusalem tell us exactly what our profile pictures need to look like to foster trust. According to these experts we all prefer looking at a baby-faced image with the wrinkles ironed-out.

But hold on! Before cranking up Photoshop to smooth out and flesh out those portrait photographs, (unless you do it for a living) and probably ending up looking nothing at all like your real life self, there is safer way of ‘enhancing’ profile photo. Why don’t you consider the services of a professional photographer?

Why bother with paying a professional photographer for an image you are going to use on social media? 
As a professional or businesses owner, you are your brand. Everyone of your actions conveys a message. Everything you do and everything you say becomes an expression of your brand. So does the way you look. And knowing what we know about how humans appraise each other on sight, your visual representation is vital. This is especially so on social media where you have only one chance at making an impression and that in a tiny square next to your name.

Just as a graphic designer aligns your corporate identity with the brand objectives and the career copywriter helps you take control of your written and spoken communication, employing a professional photographer provides you with appropriate profile photographs and other images that convey appropriate and effective visual messages.

 What makes a professional photographer’s images so special?


The obvious reasons include the professional photographer’s superior equipment (a cell phone image just can not compare with a professional cameras and lenses), technical experience to project your image in the best possible light (literally) and professional skills to set you at ease and take up as little of your valuable time as possible.

But it is the combination of all of these factors that makes the real difference. In some ways, photography is like gardening. It is the sequencing of steps, one building on the other, that creates a magnificent final product.

The process of taking a professional portrait starts before the shoot, not during the shoot and definitely not with the digital manipulation process afterwards. The success of each step is influenced by many factors starting with a clear brief and thorough preparation by both the subject and the photographer. The two of you have to select the right time, the appropriate (but original) setting, the appropriate outfit and whether make-up and hairstyling is required.

Besides turning up looking your best on the day, there is not much more you need to do. It is up to the photographer to create a portrait that will jump-start the conversations on social media.

Next time we will look in detail at how to prepare for a portrait shoot.