Showing posts with label lighting. Show all posts
Showing posts with label lighting. Show all posts

Monday, 8 October 2012

MEER OF MIN 'n MEERMIN (More or less a mermaid) MVNP Studio Shoot, Strand / Somerset West


Meer of Min 'n Meermin / More or less a Mermaid 
Photographer: Martin Van Niekerk
Model: Ester
Hair stylist / Stylist: Rene Erwee
MUA: Candice Harker

Earlier this year I did a shoot for Ester who wanted to enter the Sarie Voorbladgesig van die Jaar competition. It was her first time in front of the camera but she showed such poise. So when hair stylist, Rene Erwee of Salon Elan mentioned doing a shoot depicting a mermaid, I immediately thought of Ester. Of course it helped that she has beautiful long hair. 

But how to go about transforming her into a mermaid?

For a long time now I have been thinking of incorporating different art media such as drawings and paper cut-outs into my photographs. Previously Rene and I had played around with using paper garments and we were very happy with the outcome. So we decided to take the idea further. Not only were we going to use paper to sculpt the fish tail, we wanted to create an entire paper ‘world’ for the mermaid.

Although the size of my studio is adequate for standard shoots, creating a life size seascape scene in there is impossible.

Downscaling, that was the solution. I decided to build a small scale stage.

As a student at art school I had often used the Noddy and Big Ears toy theatre I had been given as a child, as inspiration for works of art. I could resurrect that idea in the studio this time.

I decided to start with Ester in the studio and then creating the backdrop and photographing that. The two images then had to be merged using computer editing programmes.

It was no easy feat but in the end I am very happy with the outcome.

This post tells the story of the Meer of Min ‘n Meermin shoot.



Rene and I cutting a piece of backdrop paper to use as the mermaid's fish tail


Multi talented: Rene helps sculpt the mermaid fish tail in between styling Ester's hair for the shoot 


Mermaid with hair curlers: Ester's transformation and marathon sitting session has begun


And still she sits patiently ...



Rene was also responsible for creating the mermaid's seaweed and shell 'jewellery'.  


Ready to roll 


Designer Ronel Van Heerden of NineNinetyNine dropped in for coffee and ended up doing some art directing.



With the shoot over, it s time to construct the backdrop. 


All set up.


The theatre has been constructed, lights have been set up and Ester's 'stand-in' sitting on the rock has been positioned.  

Monday, 3 September 2012

KAPULA CANDLES: THE WARM ART OF AFRICA

 In April this year we visited the Kapula Candles-team in Bredasdorp near the southernmost point of Africa, to take photographs of the Kapula people, products and processes for their new website and promotional material. 

Thanks to the friendliness and enthusiasm of marketing manager Anke Appelgryn and every other member of the Kapula team, it didn't feel like we were working at all. 

Here are a few photographs that tell the story of our visit. 




Anke and Ilse Appelgryn. Ilse started making candles in her garage in 1993 and today it has grown into a thriving business which embraces the principles of  the World Fair Trade Organisation

From the smiles, it is clear that this assignment was not hard work! I had to shoot a portrait of each and every Kapula employee (96 people from four different locations in all). Thanks to marketing manager, Anke's ability to plan and organise and everyone's willingness to participate, we managed to complete the task in four hours.



The candles are hand-made and hand-painted by experienced workers using wax and pigment and a very steady hand.

The workshop where the candles are made. I had to contend with very low light as well as a fine, clingy mist caused by molten wax. The equipment survived!

The coloured wax turns even ordinary tools into works of art.

An experienced candle painter with a sample board showing one of many combinations of patterns, textures and colours in the Kapula candle range



The workshop where the candles are painted offered an endless supply of photo opportunities.

Production team, marketing team and design team meet. 



Besides candles, Kapula also creates hand-crafted ceramics and tableware.

Special people and special products



Each item's design is hand-drawn before the glazes are added.

Martin among the ceramics painters


Background photographs by Erika Kruger

Monday, 27 August 2012

FACING UP TO SOCIAL MEDIA PORTRAITS


Why professional people need to post images on social media profiles


Should I or shouldn't I spend the money to employ a professional photographer for social media profile portraits? In fact, why bother adding an image to my social media profiles at all? 

www.shuftipics.co.za

When asked, most people will tell you that we join social media such as LinkedIn, Facebook and Twitter to network. We want to grow our businesses and extend the reach of our brands.

But what we are really doing is making friends. We want to foster friendships that can help us achieve our business goals. But also chums we can chat to because we like them and we like what they do. Social media makes it possible for us to link up with people we may never have met in places we would never get to in real life. Once we have got to know one another better, sooner or later we might do business together. 

Research has shown that twitter accounts with a profile picture have ten times more followers that those without.

How do we go about connecting with new people and colleagues on social media? 


Well, it seems the same way as we would in real life - we want to look them in they eye. From infancy, human beings are hard-wired to recognise faces.  There are billions of people on earth and many share the same name but each person’s face looks different. Recognising faces is a very complex process combining cognitive and emotional aspects to not only identify a face but also to interpret feelings.

If beauty is in the eye of the beholder, so is credibility and integrity it seems.

The first thing we do when scanning a person’s face whether in the flesh or on a social media page, is to focus attention on the eyes, or to be more accurate in the vicinity of the eyes. What we are really doing is ‘reading’ the other person’s eyebrows. According to some researchers, eyebrows seem to do more than protect the eyes against rain and perspiration. It acts as important visual markers during face recognition, when expressing emotions and social signals and therefore in voluntary and involuntary non-verbal communication. We convey a number of different emotions by merely moving our eyebrows such as confusion, astonishment, anger. Just think how effective eyebrows are used in the different emoticons we use in electronic communication. The eyebrows also add to the aesthetics of faces and help us distinguish between sexes.

Once we have ‘read’ the face, our decision as to whether or not we like and trust that person happens lightning fast. And according to Graham Jones in his blog InternetPsychology we make a decision within 100 milliseconds. So it seems it really is true that we have one and only one, very short, chance to make an impression.

It is therefore vital that we have a full face portrait picture on all our social media profiles but it follows that the kind of image we have on our website or on our social networking profiles will influence whether people wish to connect with us.

What must this portrait picture look like?


What should this photograph that is strong enough to impress a visitor to my website or social profile look like?  

Understanding that our eyes are instantly drawn to someone else’s eyes, it makes sense to rather use a head-and-shoulders portrait rather than a full body shot. In fact researchers from the Hebrew University of Jerusalem tell us exactly what our profile pictures need to look like to foster trust. According to these experts we all prefer looking at a baby-faced image with the wrinkles ironed-out.

But hold on! Before cranking up Photoshop to smooth out and flesh out those portrait photographs, (unless you do it for a living) and probably ending up looking nothing at all like your real life self, there is safer way of ‘enhancing’ profile photo. Why don’t you consider the services of a professional photographer?

Why bother with paying a professional photographer for an image you are going to use on social media? 
As a professional or businesses owner, you are your brand. Everyone of your actions conveys a message. Everything you do and everything you say becomes an expression of your brand. So does the way you look. And knowing what we know about how humans appraise each other on sight, your visual representation is vital. This is especially so on social media where you have only one chance at making an impression and that in a tiny square next to your name.

Just as a graphic designer aligns your corporate identity with the brand objectives and the career copywriter helps you take control of your written and spoken communication, employing a professional photographer provides you with appropriate profile photographs and other images that convey appropriate and effective visual messages.

 What makes a professional photographer’s images so special?


The obvious reasons include the professional photographer’s superior equipment (a cell phone image just can not compare with a professional cameras and lenses), technical experience to project your image in the best possible light (literally) and professional skills to set you at ease and take up as little of your valuable time as possible.

But it is the combination of all of these factors that makes the real difference. In some ways, photography is like gardening. It is the sequencing of steps, one building on the other, that creates a magnificent final product.

The process of taking a professional portrait starts before the shoot, not during the shoot and definitely not with the digital manipulation process afterwards. The success of each step is influenced by many factors starting with a clear brief and thorough preparation by both the subject and the photographer. The two of you have to select the right time, the appropriate (but original) setting, the appropriate outfit and whether make-up and hairstyling is required.

Besides turning up looking your best on the day, there is not much more you need to do. It is up to the photographer to create a portrait that will jump-start the conversations on social media.

Next time we will look in detail at how to prepare for a portrait shoot.